3589 lines
43 KiB
Plaintext
3589 lines
43 KiB
Plaintext
00:00
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[The most beautiful girl in the world]
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00:02
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[The most beautiful girl in the world]
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00:04
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[The most beautiful girl in the world]
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00:06
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[The most beautiful girl in the world]
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00:08
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[The most beautiful girl in the world]
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00:10
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How's your job lately, Ma Yue?
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00:12
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Not really.
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00:14
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It's been months. Why is it so hard to find a job?
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00:16
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What kind of job do you want?
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00:18
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I'll help you keep an eye on it.
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00:20
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I want to keep working.
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00:22
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Because it's easy to get tired standing.
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00:24
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That's easy.
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00:26
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It's best to stay away from home.
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00:28
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Don't show yourself to others.
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00:30
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If you make trouble to others, it'll be troublesome.
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00:32
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You have a lot of requirements.
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00:34
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It's best to be a fool last time.
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00:36
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Right?
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00:38
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If I can make money without working,
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00:40
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that's great.
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00:42
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Kill him.
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00:44
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Kill him.
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00:46
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Kill him.
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00:48
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Kill him.
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00:50
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Is he eating fake milk powder again?
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00:52
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Is he eating fake milk powder again?
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00:55
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[The most beautiful girl in the world]
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00:57
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[The most beautiful girl in the world]
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00:59
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[The most beautiful girl in the world]
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01:01
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[The most beautiful girl in the world]
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01:03
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[The most beautiful girl in the world]
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01:05
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[The most beautiful girl in the world]
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01:07
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[The most beautiful girl in the world]
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01:09
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[The most beautiful girl in the world]
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01:11
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[The most beautiful girl in the world]
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01:13
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[The most beautiful girl in the world]
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01:15
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[The most beautiful girl in the world]
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01:17
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[The most beautiful girl in the world]
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01:19
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[The most beautiful girl in the world]
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01:21
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[The most beautiful girl in the world]
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01:23
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[The most beautiful girl in the world]
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01:25
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[The most beautiful girl in the world]
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01:27
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[The most beautiful girl in the world]
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01:29
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[The most beautiful girl in the world]
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01:31
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[The most beautiful girl in the world]
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01:33
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[The most beautiful girl in the world]
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01:35
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[The most beautiful girl in the world]
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01:37
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[The most beautiful girl in the world]
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01:39
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[The most beautiful girl in the world]
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01:41
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[The most beautiful girl in the world]
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01:43
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[The most beautiful girl in the world]
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01:45
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[The most beautiful girl in the world]
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01:47
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[The most beautiful girl in the world]
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01:49
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[The most beautiful girl in the world]
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01:51
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[The most beautiful girl in the world]
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01:53
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[The most beautiful girl in the world]
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01:55
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[The most beautiful girl in the world]
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01:57
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[The most beautiful girl in the world]
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01:59
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[The most beautiful girl in the world]
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02:01
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[The most beautiful girl in the world]
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02:03
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[The most beautiful girl in the world]
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02:05
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[The most beautiful girl in the world]
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02:07
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[The most beautiful girl in the world]
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02:09
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[The most beautiful girl in the world]
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02:11
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[The most beautiful girl in the world]
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02:13
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[The most beautiful girl in the world]
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02:15
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[The most beautiful girl in the world]
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02:17
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[The most beautiful girl in the world]
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02:19
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[The most beautiful girl in the world]
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02:21
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[The most beautiful girl in the world]
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02:23
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[The most beautiful girl in the world]
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02:25
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[The most beautiful girl in the world]
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02:27
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[The most beautiful girl in the world]
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02:29
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[The most beautiful girl in the world]
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02:31
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[The most beautiful girl in the world]
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02:33
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[The most beautiful girl in the world]
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02:35
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[The most beautiful girl in the world]
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02:37
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[The most beautiful girl in the world]
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02:39
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[The most beautiful girl in the world]
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02:41
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[The most beautiful girl in the world]
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02:43
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[The most beautiful girl in the world]
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02:45
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[The most beautiful girl in the world]
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02:47
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[The most beautiful girl in the world]
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02:49
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[The most beautiful girl in the world]
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02:51
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[The most beautiful girl in the world]
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02:53
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[The most beautiful girl in the world]
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02:55
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[The most beautiful girl in the world]
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02:57
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[The most beautiful girl in the world]
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02:59
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[The most beautiful girl in the world]
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03:01
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[The most beautiful girl in the world]
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03:03
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[The most beautiful girl in the world]
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03:05
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[The most beautiful girl in the world]
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03:07
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[The most beautiful girl in the world]
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03:09
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[The most beautiful girl in the world]
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03:11
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[The most beautiful girl in the world]
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03:13
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[The most beautiful girl in the world]
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03:15
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[The most beautiful girl in the world]
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03:17
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[The most beautiful girl in the world]
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03:19
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[The most beautiful girl in the world]
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03:21
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[The most beautiful girl in the world]
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03:23
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[The most beautiful girl in the world]
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03:25
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[The most beautiful girl in the world]
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03:27
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[The most beautiful girl in the world]
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03:29
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[The most beautiful girl in the world]
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03:31
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[The most beautiful girl in the world]
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03:33
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[The most beautiful girl in the world]
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03:35
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[The most beautiful girl in the world]
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03:37
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[The most beautiful girl in the world]
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03:39
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[The most beautiful girl in the world]
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03:41
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[The most beautiful girl in the world]
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03:43
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[The most beautiful girl in the world]
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03:45
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[The most beautiful girl in the world]
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03:47
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[The most beautiful girl in the world]
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03:49
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[The most beautiful girl in the world]
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03:51
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[The most beautiful girl in the world]
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03:53
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[The most beautiful girl in the world]
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03:55
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[The most beautiful girl in the world]
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03:57
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[The most beautiful girl in the world]
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03:59
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[The most beautiful girl in the world]
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04:01
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[The most beautiful girl in the world]
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04:03
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[The most beautiful girl in the world]
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04:05
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[The most beautiful girl in the world]
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04:07
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[The most beautiful girl in the world]
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04:09
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[The most beautiful girl in the world]
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04:11
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[The most beautiful girl in the world]
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04:13
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[The most beautiful girl in the world]
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04:15
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[The most beautiful girl in the world]
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04:17
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[The most beautiful girl in the world]
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04:19
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[The most beautiful girl in the world]
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04:21
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[The most beautiful girl in the world]
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04:23
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[The most beautiful girl in the world]
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04:25
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[The most beautiful girl in the world]
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04:27
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[The most beautiful girl in the world]
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04:29
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[The most beautiful girl in the world]
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04:31
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[The most beautiful girl in the world]
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04:33
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[The most beautiful girl in the world]
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04:35
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[The most beautiful girl in the world]
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04:37
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[The most beautiful girl in the world]
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04:39
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[The most beautiful girl in the world]
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04:41
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[The most beautiful girl in the world]
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04:43
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[The most beautiful girl in the world]
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04:45
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[The most beautiful girl in the world]
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04:47
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[The most beautiful girl in the world]
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04:49
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[The most beautiful girl in the world]
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04:51
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[The most beautiful girl in the world]
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04:53
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[The most beautiful girl in the world]
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04:55
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[The most beautiful girl in the world]
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04:57
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[The most beautiful girl in the world]
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04:59
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[The most beautiful girl in the world]
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05:01
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[The most beautiful girl in the world]
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05:03
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[The most beautiful girl in the world]
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05:05
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[The most beautiful girl in the world]
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05:07
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[The most beautiful girl in the world]
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05:09
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[The most beautiful girl in the world]
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05:11
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[The most beautiful girl in the world]
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05:13
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[The most beautiful girl in the world]
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05:15
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[The most beautiful girl in the world]
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05:17
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[The most beautiful girl in the world]
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05:19
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[The most beautiful girl in the world]
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05:21
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[The most beautiful girl in the world]
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05:23
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[The most beautiful girl in the world]
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05:25
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[The most beautiful girl in the world]
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05:27
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[The most beautiful girl in the world]
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05:29
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[The most beautiful girl in the world]
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05:31
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[The most beautiful girl in the world]
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05:33
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[The most beautiful girl in the world]
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05:35
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[The most beautiful girl in the world]
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05:37
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[The most beautiful girl in the world]
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05:39
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[The most beautiful girl in the world]
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05:41
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[The most beautiful girl in the world]
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05:43
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[The most beautiful girl in the world]
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05:45
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[The most beautiful girl in the world]
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05:47
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[The most beautiful girl in the world]
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05:49
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[The most beautiful girl in the world]
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05:51
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[The most beautiful girl in the world]
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05:53
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[The most beautiful girl in the world]
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05:55
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[The most beautiful girl in the world]
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05:57
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[The most beautiful girl in the world]
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05:59
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[The most beautiful girl in the world]
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06:01
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[The most beautiful girl in the world]
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06:03
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[The most beautiful girl in the world]
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06:05
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[The most beautiful girl in the world]
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06:07
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[The most beautiful girl in the world]
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06:09
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[The most beautiful girl in the world]
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06:11
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[The most beautiful girl in the world]
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06:13
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[The most beautiful girl in the world]
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06:15
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[The most beautiful girl in the world]
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06:17
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[The most beautiful girl in the world]
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06:19
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[The most beautiful girl in the world]
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06:21
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[The most beautiful girl in the world]
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06:23
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[The most beautiful girl in the world]
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06:25
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[The most beautiful girl in the world]
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06:27
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[The most beautiful girl in the world]
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06:29
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[The most beautiful girl in the world]
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06:31
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[The most beautiful girl in the world]
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06:33
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[The most beautiful girl in the world]
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06:35
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[The most beautiful girl in the world]
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06:37
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[The most beautiful girl in the world]
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06:39
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[The most beautiful girl in the world]
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06:41
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[The most beautiful girl in the world]
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06:43
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[The most beautiful girl in the world]
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06:45
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[The most beautiful girl in the world]
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06:47
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[The most beautiful girl in the world]
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06:49
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[The most beautiful girl in the world]
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06:51
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[The most beautiful girl in the world]
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06:53
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[The most beautiful girl in the world]
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06:55
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[The most beautiful girl in the world]
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06:57
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[The most beautiful girl in the world]
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06:59
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Hello, is this the red-ton-ton entertainment company?
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07:03
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I'm looking for the Flashy Man, Miss Flash.
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07:07
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Oh, let me see.
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07:09
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Is my name still...
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07:11
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Oh, Flashy Man.
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07:13
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Hello, please come in.
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07:15
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Excuse me, are you Miss Flash?
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07:21
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If I were you, I wouldn't stand there like a fool.
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07:24
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Hurry up and find a chair to sit down.
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07:25
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You keep standing there, you'll only expose your short legs.
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07:27
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You're a fool.
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07:29
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Hello, my name is Lv Ziqiao.
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07:34
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Say it again, you don't have any confidence.
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07:36
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My name is Lv Ziqiao.
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07:39
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Don't tell me your name.
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07:41
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I don't care.
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07:42
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Everyone here is a fan of Flashy Man.
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07:44
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I don't think there's any difference.
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07:46
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Is there anything new to listen to for me?
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07:49
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Are you too nervous?
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07:51
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Give me a cigarette.
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07:53
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I don't smoke.
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07:56
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I'll tell you secretly, our company doesn't allow you to smoke.
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08:00
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But who told me to be the boss?
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08:04
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I'm really excited.
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08:06
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I've dreamed of becoming an actor since I was a child.
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08:09
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Who isn't?
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08:11
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I mean, if you don't mind,
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08:14
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can I talk to you while eating?
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08:20
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Of course.
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08:24
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I'm not a man.
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08:27
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You know,
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08:29
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our company is the biggest acting company in Southeast Asia.
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08:33
|
|
We only want three types of people.
|
|
|
|
08:35
|
|
Male actors, female actors, and...
|
|
|
|
08:39
|
|
You're really... - And a stupid male actor.
|
|
|
|
08:46
|
|
Too many.
|
|
|
|
08:48
|
|
Not even a little bit.
|
|
|
|
08:50
|
|
But this is in line with the characteristics of an actor.
|
|
|
|
08:53
|
|
I'm a natural actor.
|
|
|
|
08:55
|
|
I've seen beautiful actresses since I was a child.
|
|
|
|
08:58
|
|
Little boy, have you seen the Golden Award?
|
|
|
|
09:02
|
|
Yes, I have.
|
|
|
|
09:03
|
|
Are you going to shoot a sequel?
|
|
|
|
09:05
|
|
Do you want to recommend me to the audition?
|
|
|
|
09:07
|
|
Of course not.
|
|
|
|
09:09
|
|
The ending of the story, people in the palace don't listen.
|
|
|
|
09:11
|
|
King of Guo killed them all.
|
|
|
|
09:14
|
|
The water is dripping everywhere.
|
|
|
|
09:19
|
|
If you don't listen,
|
|
|
|
09:21
|
|
you'll be the one who will be scared.
|
|
|
|
09:24
|
|
I have another question.
|
|
|
|
09:29
|
|
Have you seen Chi Bi?
|
|
|
|
09:30
|
|
Yes.
|
|
|
|
09:31
|
|
How is Jin Chong acting?
|
|
|
|
09:32
|
|
He's handsome, right?
|
|
|
|
09:34
|
|
He's a good actor.
|
|
|
|
09:35
|
|
He's smart and has a good tone.
|
|
|
|
09:38
|
|
He's a little bit of a bad guy.
|
|
|
|
09:40
|
|
Do I have a chance to play against him?
|
|
|
|
09:42
|
|
Of course not.
|
|
|
|
09:44
|
|
I want to kill him. It's none of your business.
|
|
|
|
09:48
|
|
I'm glad I like your shyness.
|
|
|
|
09:51
|
|
I'm sorry. I don't sell body.
|
|
|
|
09:53
|
|
No, I don't sell body.
|
|
|
|
09:55
|
|
I don't want your body.
|
|
|
|
09:56
|
|
I just want your signature.
|
|
|
|
09:58
|
|
You mean you want to sign me?
|
|
|
|
10:00
|
|
Of course not.
|
|
|
|
10:02
|
|
I just want to sell you to the old black slave.
|
|
|
|
10:05
|
|
Just kidding.
|
|
|
|
10:09
|
|
Really?
|
|
|
|
10:10
|
|
Are you really going to sign me?
|
|
|
|
10:11
|
|
It's not your mother, it's you.
|
|
|
|
10:13
|
|
I called you here to sign you.
|
|
|
|
10:17
|
|
That's great.
|
|
|
|
10:18
|
|
Hurry up.
|
|
|
|
10:19
|
|
I have to have dinner with Mu Cun.
|
|
|
|
10:22
|
|
Where is my Japanese
|
|
|
|
10:41
|
|
He's a 45-year-old fortune teller.
|
|
|
|
10:44
|
|
Because he also told me in 1950,
|
|
|
|
10:46
|
|
I want to take back the contract and take a look.
|
|
|
|
10:48
|
|
Then I'll sign it.
|
|
|
|
10:49
|
|
That's right.
|
|
|
|
10:51
|
|
When you're done, you can put the door on the door.
|
|
|
|
10:53
|
|
And then, when I call,
|
|
|
|
10:55
|
|
I will arrange for you to go to the Philippines for a medical check-up.
|
|
|
|
10:58
|
|
Medical check-up? - Stop it.
|
|
|
|
11:00
|
|
All the money can be checked.
|
|
|
|
11:01
|
|
Do you think that those stars
|
|
|
|
11:02
|
|
are the golden ratio of the English living in the fetus.
|
|
|
|
11:05
|
|
Don't be silly.
|
|
|
|
11:07
|
|
All right, then. I'll wait for your call.
|
|
|
|
11:11
|
|
What? I'm a liar?
|
|
|
|
11:13
|
|
Of course not.
|
|
|
|
11:15
|
|
I'm just a company.
|
|
|
|
11:17
|
|
Besides,
|
|
|
|
11:18
|
|
there are more people in the economy than me.
|
|
|
|
11:20
|
|
There are still a bunch of silly kids and silly girls.
|
|
|
|
11:24
|
|
By the way,
|
|
|
|
11:25
|
|
I have to send a message to my friends in Hong Kong.
|
|
|
|
11:28
|
|
This place is full of people and money.
|
|
|
|
11:33
|
|
Come quickly.
|
|
|
|
11:35
|
|
[The End]
|
|
|
|
11:37
|
|
Yes, yes, yes.
|
|
|
|
11:42
|
|
I've succeeded.
|
|
|
|
11:44
|
|
The economy company signed the contract with me.
|
|
|
|
11:46
|
|
Then sign my name quickly.
|
|
|
|
11:47
|
|
Now?
|
|
|
|
11:48
|
|
Of course.
|
|
|
|
11:49
|
|
When you're done,
|
|
|
|
11:50
|
|
I'll ask you to sign a 20-kilometer-long road.
|
|
|
|
11:53
|
|
I have to collect it quickly.
|
|
|
|
11:54
|
|
Please sign the card.
|
|
|
|
11:57
|
|
Okay. - It's easier to recognize.
|
|
|
|
11:59
|
|
Wait.
|
|
|
|
12:02
|
|
Your paper...
|
|
|
|
12:04
|
|
is a notice of rent.
|
|
|
|
12:06
|
|
Of course.
|
|
|
|
12:07
|
|
You don't have to pay rent as an actor.
|
|
|
|
12:08
|
|
Don't be a coward this time.
|
|
|
|
12:10
|
|
I have my own opinion.
|
|
|
|
12:11
|
|
Hey, hey, hey.
|
|
|
|
12:12
|
|
Can you show some respect to a star
|
|
|
|
12:15
|
|
who is still in the process of being born?
|
|
|
|
12:17
|
|
Do you think we're afraid of silly TV series?
|
|
|
|
12:20
|
|
Can we find you a group of actors
|
|
|
|
12:21
|
|
to make you a fairy?
|
|
|
|
12:23
|
|
If we don't hit you,
|
|
|
|
12:24
|
|
I don't think it's reliable.
|
|
|
|
12:26
|
|
The Chinese men's world cup is almost as good as yours.
|
|
|
|
12:30
|
|
Hey, isn't that hitting me?
|
|
|
|
12:33
|
|
There are so many entertainment companies out there.
|
|
|
|
12:36
|
|
Ten people are killed by a brick.
|
|
|
|
12:37
|
|
Nine are the managers.
|
|
|
|
12:39
|
|
We must be jealous.
|
|
|
|
12:40
|
|
The star scout found us.
|
|
|
|
12:42
|
|
But you didn't.
|
|
|
|
12:43
|
|
Who said that? I've been found out long ago.
|
|
|
|
12:45
|
|
You?
|
|
|
|
12:46
|
|
I'm an actor in a dragon suit.
|
|
|
|
12:48
|
|
They really let me play a dragon.
|
|
|
|
12:49
|
|
And it's in a dragon's clothes.
|
|
|
|
12:51
|
|
So it's called a dragon suit.
|
|
|
|
12:52
|
|
Hey, I have a regular manager now.
|
|
|
|
12:55
|
|
He will help me plan the acting route.
|
|
|
|
12:57
|
|
I believe that a prince will ride a white horse.
|
|
|
|
13:00
|
|
A gold will shine.
|
|
|
|
13:02
|
|
A prince will not ride a white horse.
|
|
|
|
13:04
|
|
Maybe a monk.
|
|
|
|
13:05
|
|
These two sentences are too old.
|
|
|
|
13:06
|
|
There will be new ones.
|
|
|
|
13:08
|
|
The one who can burn incense will not be a monk.
|
|
|
|
13:10
|
|
Maybe a panda.
|
|
|
|
13:11
|
|
I have a new one.
|
|
|
|
13:12
|
|
The one who has a four-leaf clover may not be a rogue.
|
|
|
|
13:13
|
|
Maybe a moon fly.
|
|
|
|
13:14
|
|
I have one more.
|
|
|
|
13:15
|
|
The one who can fly may not be a big bird.
|
|
|
|
13:17
|
|
Maybe a moth.
|
|
|
|
13:19
|
|
Look.
|
|
|
|
13:23
|
|
My manager.
|
|
|
|
13:25
|
|
Hello, Sister Shan.
|
|
|
|
13:26
|
|
You're lucky, kid.
|
|
|
|
13:29
|
|
I gave your information to a crew.
|
|
|
|
13:31
|
|
Their producer is very satisfied.
|
|
|
|
13:32
|
|
He wants you to play the male lead.
|
|
|
|
13:35
|
|
Really?
|
|
|
|
13:36
|
|
Of course not.
|
|
|
|
13:38
|
|
Who would use a guy without a name to play the male lead this year?
|
|
|
|
13:41
|
|
Unless the producer is crazy.
|
|
|
|
13:44
|
|
But it doesn't matter.
|
|
|
|
13:45
|
|
They will arrange a supporting role for you.
|
|
|
|
13:47
|
|
There is a scene where you are stabbed to death by a camera.
|
|
|
|
13:51
|
|
This...
|
|
|
|
13:52
|
|
Silly.
|
|
|
|
13:54
|
|
You can turn around when you are stabbed.
|
|
|
|
13:56
|
|
No one will come for this.
|
|
|
|
13:58
|
|
It's a waste of film.
|
|
|
|
13:59
|
|
When will we start shooting?
|
|
|
|
14:01
|
|
It may take a while.
|
|
|
|
14:03
|
|
It's a little difficult.
|
|
|
|
14:05
|
|
What's difficult?
|
|
|
|
14:06
|
|
We don't have enough money.
|
|
|
|
14:06
|
|
The actor hasn't decided.
|
|
|
|
14:07
|
|
The script is not good.
|
|
|
|
14:09
|
|
What?
|
|
|
|
14:10
|
|
It doesn't matter.
|
|
|
|
14:11
|
|
There is a film set that needs to be shot.
|
|
|
|
14:12
|
|
It needs to be advertised.
|
|
|
|
14:13
|
|
I recommend you.
|
|
|
|
14:14
|
|
Great.
|
|
|
|
14:15
|
|
Advertising is also fine.
|
|
|
|
14:16
|
|
Good boy.
|
|
|
|
14:17
|
|
If you want to thank me, thank your parents.
|
|
|
|
14:19
|
|
I didn't give you any leg hair.
|
|
|
|
14:22
|
|
I will pass on the script to you later.
|
|
|
|
14:24
|
|
You should watch it carefully.
|
|
|
|
14:25
|
|
Otherwise, I will kick you.
|
|
|
|
14:31
|
|
Did you hear that?
|
|
|
|
14:33
|
|
I want to shoot an advertisement.
|
|
|
|
14:35
|
|
What advertisement?
|
|
|
|
14:36
|
|
The advertisement for the shower.
|
|
|
|
14:39
|
|
I said I wouldn't show my face.
|
|
|
|
14:41
|
|
It's a good thing.
|
|
|
|
14:42
|
|
We can't lose that person.
|
|
|
|
14:43
|
|
Maybe they think the shower is in our house.
|
|
|
|
14:50
|
|
Hello.
|
|
|
|
14:53
|
|
Stop calling me.
|
|
|
|
14:57
|
|
Who brought it?
|
|
|
|
14:58
|
|
You should be dead.
|
|
|
|
14:59
|
|
Every time I am waiting for an important transmission,
|
|
|
|
15:01
|
|
there will be a bastard calling me.
|
|
|
|
15:03
|
|
And he will make a series of strange sounds.
|
|
|
|
15:05
|
|
[Calling]
|
|
|
|
15:20
|
|
OK.
|
|
|
|
15:21
|
|
I have paid the price.
|
|
|
|
15:22
|
|
Today is the first day of your work.
|
|
|
|
15:24
|
|
Yes, sir.
|
|
|
|
15:25
|
|
Please give me a task.
|
|
|
|
15:27
|
|
The first thing you need to learn is to help me answer the phone.
|
|
|
|
15:29
|
|
The biggest problem is that no matter what call,
|
|
|
|
15:31
|
|
he will give me all the calls.
|
|
|
|
15:34
|
|
Last time, a listener called me
|
|
|
|
15:36
|
|
and complained that our show had no image.
|
|
|
|
15:38
|
|
He actually gave me the call.
|
|
|
|
15:40
|
|
We are a broadcast program.
|
|
|
|
15:42
|
|
Do you need to give me this call?
|
|
|
|
15:44
|
|
I understand.
|
|
|
|
15:45
|
|
I just want to help you filter out those stupid questions.
|
|
|
|
15:48
|
|
Smart.
|
|
|
|
15:49
|
|
In fact, there are 100 opinions for 100 people.
|
|
|
|
15:51
|
|
You can't make everyone satisfied.
|
|
|
|
15:52
|
|
Because not everyone is a human.
|
|
|
|
15:55
|
|
The phone is ringing.
|
|
|
|
16:00
|
|
Hello.
|
|
|
|
16:04
|
|
This is Zeng Xiaoxian's program.
|
|
|
|
16:06
|
|
Can I help you?
|
|
|
|
16:07
|
|
Sorry, he is recording a program.
|
|
|
|
16:09
|
|
You can tell me if you have any opinions.
|
|
|
|
16:11
|
|
Your opinion is very important to our progress.
|
|
|
|
16:14
|
|
Please leave your phone number.
|
|
|
|
16:15
|
|
He will call you back when it's convenient.
|
|
|
|
16:17
|
|
Is it convenient to leave your full name?
|
|
|
|
16:20
|
|
Okay, I hope you can come again.
|
|
|
|
16:23
|
|
Thank you, goodbye.
|
|
|
|
16:24
|
|
What did he say?
|
|
|
|
16:30
|
|
He said he wanted to change your program's time.
|
|
|
|
16:32
|
|
I told you that my listeners
|
|
|
|
16:34
|
|
often mention some smart opinions.
|
|
|
|
16:37
|
|
Wanyu, I didn't expect you to be so good for the first time.
|
|
|
|
16:40
|
|
My father's secretary used to do this.
|
|
|
|
16:43
|
|
Not bad, keep working hard.
|
|
|
|
16:45
|
|
Thank you, boss.
|
|
|
|
16:47
|
|
Don't be like this.
|
|
|
|
16:48
|
|
I'm a little bit not used to it.
|
|
|
|
16:50
|
|
But it feels very comfortable.
|
|
|
|
16:53
|
|
Oh, I have put the name and phone number on the table.
|
|
|
|
16:57
|
|
Let him go.
|
|
|
|
16:58
|
|
He said his name is boss.
|
|
|
|
16:59
|
|
This year, someone's surname is Tan.
|
|
|
|
17:02
|
|
Boss.
|
|
|
|
17:10
|
|
Boss.
|
|
|
|
17:11
|
|
I'm sorry.
|
|
|
|
17:14
|
|
Ziqiao, I heard you signed up for the entertainment company.
|
|
|
|
17:29
|
|
You want to come to Waku, too?
|
|
|
|
17:31
|
|
How come?
|
|
|
|
17:32
|
|
It's too late to be happy for you.
|
|
|
|
17:34
|
|
They don't like you.
|
|
|
|
17:36
|
|
I didn't say that.
|
|
|
|
17:38
|
|
You're the one who has seen the world.
|
|
|
|
17:40
|
|
Ziqiao, do your agent know a lot of directors?
|
|
|
|
17:46
|
|
Maybe.
|
|
|
|
17:48
|
|
What?
|
|
|
|
17:49
|
|
You want to change your career to be an actor?
|
|
|
|
17:51
|
|
No, it's like this.
|
|
|
|
17:53
|
|
I have an idea.
|
|
|
|
17:54
|
|
In the shortest time, I can get people to pay attention to my comic.
|
|
|
|
17:57
|
|
I'll ask the director to change my comic into a movie.
|
|
|
|
18:01
|
|
Change?
|
|
|
|
18:02
|
|
Look, "Jia Fei Mo" is a movie that changes from a comic.
|
|
|
|
18:04
|
|
And "The Chosen One" is a movie that transforms...
|
|
|
|
18:06
|
|
Wait.
|
|
|
|
18:07
|
|
But others are all funny and sci-fi movies.
|
|
|
|
18:10
|
|
You drew a different girl's comic.
|
|
|
|
18:12
|
|
So I've already found a good direction.
|
|
|
|
18:15
|
|
Who?
|
|
|
|
18:16
|
|
Wang Jia Wei.
|
|
|
|
18:18
|
|
Wow.
|
|
|
|
18:20
|
|
But your protagonist is a cat.
|
|
|
|
18:21
|
|
I've read a lot of magazines.
|
|
|
|
18:22
|
|
They say that since "The Chosen One"
|
|
|
|
18:24
|
|
he hasn't found a suitable script.
|
|
|
|
18:26
|
|
I believe my love triangle cat will definitely make him shine.
|
|
|
|
18:29
|
|
And then when he creates a chicken, a chicken, and a ten-sided ambush,
|
|
|
|
18:31
|
|
he will jump into the chicken again.
|
|
|
|
18:34
|
|
Wow, it seems that you've done a lot of homework.
|
|
|
|
18:38
|
|
But all of these you said are not made by Wang Jia Wei.
|
|
|
|
18:40
|
|
Really?
|
|
|
|
18:41
|
|
Isn't "The Chosen One" a love story?
|
|
|
|
18:43
|
|
You don't understand movies at first sight.
|
|
|
|
18:45
|
|
"The Chosen One" is a horror movie.
|
|
|
|
18:47
|
|
I got it. I got it.
|
|
|
|
18:49
|
|
How about this? I'll take you to see my agent tomorrow.
|
|
|
|
18:51
|
|
Maybe he'll call you in the middle of a busy day.
|
|
|
|
18:54
|
|
Really?
|
|
|
|
18:55
|
|
That's great.
|
|
|
|
18:56
|
|
Thank you.
|
|
|
|
18:57
|
|
Thank you.
|
|
|
|
19:04
|
|
[The Chosen One]
|
|
|
|
19:07
|
|
Welcome to "Your Moon, My Heart".
|
|
|
|
19:08
|
|
I'm the good man. I'm Zeng Xiao Xian.
|
|
|
|
19:13
|
|
Tonight, Xiao Xian is very happy.
|
|
|
|
19:15
|
|
Because I'm lucky to have a new phone editor.
|
|
|
|
19:18
|
|
When you raise your head,
|
|
|
|
19:20
|
|
you see a beautiful woman working with you.
|
|
|
|
19:22
|
|
You feel so excited.
|
|
|
|
19:26
|
|
Okay, let's get back to the point.
|
|
|
|
19:32
|
|
Next, let's get into today's "Listener's Call".
|
|
|
|
19:35
|
|
You can call us anytime you have any trouble or trouble.
|
|
|
|
19:38
|
|
After a beautiful music,
|
|
|
|
19:40
|
|
we'll get into today's first "Listener's Call".
|
|
|
|
19:43
|
|
Hello, this is "Your Moon, My Heart".
|
|
|
|
19:48
|
|
But I'm not Zeng Xiao Xian.
|
|
|
|
19:49
|
|
I'm his phone editor.
|
|
|
|
19:50
|
|
May I help you?
|
|
|
|
19:52
|
|
I'm sorry, he's on live.
|
|
|
|
19:55
|
|
If you have any questions, I can tell him.
|
|
|
|
19:57
|
|
Yes.
|
|
|
|
19:58
|
|
[Zeng Xiao Xian]
|
|
|
|
20:01
|
|
Wanyu.
|
|
|
|
20:21
|
|
Maybe today's call is very busy.
|
|
|
|
20:28
|
|
Our phone editor is waiting in line.
|
|
|
|
20:29
|
|
Please wait a moment.
|
|
|
|
20:30
|
|
Let's enjoy a song of "The Song of the Cavemen".
|
|
|
|
20:34
|
|
I've already left the contact information.
|
|
|
|
20:36
|
|
He's on live.
|
|
|
|
20:37
|
|
If you have any questions, you can call us later.
|
|
|
|
20:39
|
|
Thank you. Bye.
|
|
|
|
20:41
|
|
What are you doing?
|
|
|
|
20:46
|
|
I'm working.
|
|
|
|
20:47
|
|
Look, I've left all their phone numbers.
|
|
|
|
20:50
|
|
I'm almost too busy.
|
|
|
|
20:51
|
|
Why are these listeners so boring?
|
|
|
|
20:53
|
|
They all said they wanted to see you.
|
|
|
|
20:56
|
|
Because this is the "The Song of the Cavemen" part.
|
|
|
|
20:59
|
|
Don't worry. I've already dealt with all the questions.
|
|
|
|
21:02
|
|
I'll stop all the stupid questions in the world.
|
|
|
|
21:04
|
|
If you don't, you'll be more stupid than Ka Ka.
|
|
|
|
21:08
|
|
Then what should I say tonight?
|
|
|
|
21:11
|
|
Say what you usually say.
|
|
|
|
21:13
|
|
I usually listen to the call and help them deal with the problem.
|
|
|
|
21:17
|
|
Didn't you ask me to delete the questions for you?
|
|
|
|
21:20
|
|
Then you can't delete all the questions.
|
|
|
|
21:25
|
|
What should I do?
|
|
|
|
21:26
|
|
Help me get this one in.
|
|
|
|
21:27
|
|
If I don't speak, I'll be in trouble.
|
|
|
|
21:29
|
|
Which one of them?
|
|
|
|
21:30
|
|
The next one.
|
|
|
|
21:31
|
|
Okay.
|
|
|
|
21:33
|
|
Hello?
|
|
|
|
21:34
|
|
Hello.
|
|
|
|
21:36
|
|
Okay.
|
|
|
|
21:38
|
|
Welcome back.
|
|
|
|
21:39
|
|
Let's listen to the first listener.
|
|
|
|
21:41
|
|
Hello?
|
|
|
|
21:43
|
|
Teacher Zeng?
|
|
|
|
21:44
|
|
That's right. I'm the good man.
|
|
|
|
21:45
|
|
I'm Zeng Xiao Xi.
|
|
|
|
21:47
|
|
I'm in trouble.
|
|
|
|
21:49
|
|
I'm afraid to say it.
|
|
|
|
21:50
|
|
But it's a long story.
|
|
|
|
21:51
|
|
It's okay. I'll keep it to myself.
|
|
|
|
21:54
|
|
I fell in love with my colleague, Ah Zhi.
|
|
|
|
21:56
|
|
But I didn't tell him.
|
|
|
|
21:58
|
|
I told my colleague, Ah Hao.
|
|
|
|
22:00
|
|
He promised not to tell anyone.
|
|
|
|
22:01
|
|
But my colleague, Ah De, told me.
|
|
|
|
22:02
|
|
Ah Hao secretly told another colleague, Ah Lin.
|
|
|
|
22:04
|
|
Ah Lin is Ah Zhi's ex-girlfriend.
|
|
|
|
22:06
|
|
Ah Lan is very close to Ah Lan.
|
|
|
|
22:07
|
|
I'm afraid Ah Lin will tell Ah Lan.
|
|
|
|
22:08
|
|
And Ah Lan will tell Ah Zhi.
|
|
|
|
22:09
|
|
Then I'll be embarrassed.
|
|
|
|
22:11
|
|
Luckily, Ah Lan is in love with Ah De.
|
|
|
|
22:13
|
|
So I asked Ah De to help me solve this problem.
|
|
|
|
22:15
|
|
Ah De told me that Ah Lan had broken up with him.
|
|
|
|
22:17
|
|
He's now on good terms with Ah Lin.
|
|
|
|
22:18
|
|
He asked me to go to Ah Lin.
|
|
|
|
22:18
|
|
But Ah Lin told me that Ah Hao didn't tell him anything.
|
|
|
|
22:20
|
|
Now I'm confused.
|
|
|
|
22:21
|
|
Who should I believe?
|
|
|
|
22:24
|
|
Ah Ou.
|
|
|
|
22:25
|
|
I'm talking about Ah Zhi, not Ah Ou.
|
|
|
|
22:27
|
|
Ah Ou is my colleague.
|
|
|
|
22:28
|
|
Ah Ou is Ah Lin's brother.
|
|
|
|
22:30
|
|
I can't tell him that the person I like is your brother's ex-girlfriend.
|
|
|
|
22:32
|
|
Then the relationship will be more chaotic.
|
|
|
|
22:34
|
|
Who should I tell?
|
|
|
|
22:36
|
|
Ah Lin, Ah Zhi, Ah Lan, Ah De, Ah Hao or Ah Ou?
|
|
|
|
22:38
|
|
I'll choose whoever the rooster calls.
|
|
|
|
22:44
|
|
Ah Ti!
|
|
|
|
22:47
|
|
Ah Ti!
|
|
|
|
22:48
|
|
How do you know that I have a colleague in my company called Ah Ti?
|
|
|
|
22:51
|
|
He and Ah Lin are enemies.
|
|
|
|
22:51
|
|
Maybe it's because he's in love with Ah Lan.
|
|
|
|
22:53
|
|
But Ah Ti and Ah Hao are close.
|
|
|
|
22:54
|
|
So I...
|
|
|
|
22:56
|
|
Come in.
|
|
|
|
23:00
|
|
Sister Shan, I want to introduce a friend to you.
|
|
|
|
23:03
|
|
Really? You want to join the showbiz?
|
|
|
|
23:05
|
|
Hello, I'm Guang Gu.
|
|
|
|
23:08
|
|
Guang Gu is from Japan. Please follow me.
|
|
|
|
23:11
|
|
Japanese.
|
|
|
|
23:12
|
|
You can't get around in your own place, so you come to the showbiz abroad?
|
|
|
|
23:15
|
|
You misunderstood.
|
|
|
|
23:16
|
|
Actually, I'm a cartoonist.
|
|
|
|
23:19
|
|
No wonder you look different from these stupid actors.
|
|
|
|
23:23
|
|
Thank you.
|
|
|
|
23:24
|
|
But I like them with a little warmth and tenderness.
|
|
|
|
23:28
|
|
Sister Shan, you know a lot of directors.
|
|
|
|
23:32
|
|
Can you introduce my friend's comic to them?
|
|
|
|
23:34
|
|
See if there's a chance to change it into a movie.
|
|
|
|
23:36
|
|
Yes, this is my work. Please have a look.
|
|
|
|
23:38
|
|
Ah, is your heroine wearing clothes?
|
|
|
|
23:41
|
|
No.
|
|
|
|
23:42
|
|
That's good.
|
|
|
|
23:43
|
|
My heroine is a cat.
|
|
|
|
23:44
|
|
Oh, a cat.
|
|
|
|
23:46
|
|
Sister Shan, you know a lot of directors.
|
|
|
|
23:48
|
|
You can call them.
|
|
|
|
23:49
|
|
Maybe some director will be interested.
|
|
|
|
23:51
|
|
For example, Wang Jiahui.
|
|
|
|
23:54
|
|
Oh, that makes sense.
|
|
|
|
23:56
|
|
I didn't expect that.
|
|
|
|
23:58
|
|
Wang Jiahui, have you eaten?
|
|
|
|
24:02
|
|
No.
|
|
|
|
24:03
|
|
You can eat more when you're free.
|
|
|
|
24:06
|
|
I have a friend who is a cartoonist.
|
|
|
|
24:10
|
|
Please help me change his comic into a movie.
|
|
|
|
24:12
|
|
Yes, the heroine is a cat.
|
|
|
|
24:14
|
|
You can let Liang Chaowei play it.
|
|
|
|
24:16
|
|
Maybe Oscar will be attracted this time.
|
|
|
|
24:20
|
|
Hmm.
|
|
|
|
24:21
|
|
What did Wang Jiahui say?
|
|
|
|
24:24
|
|
No problem.
|
|
|
|
24:25
|
|
Really?
|
|
|
|
24:26
|
|
Of course not.
|
|
|
|
24:28
|
|
Are you out of your mind?
|
|
|
|
24:30
|
|
Wang Jiahui, I have a friend who is a cartoonist.
|
|
|
|
24:32
|
|
Do you want him?
|
|
|
|
24:34
|
|
I'm warning you.
|
|
|
|
24:36
|
|
I'm not sitting in this high-end office every day
|
|
|
|
24:38
|
|
to solve problems for you.
|
|
|
|
24:40
|
|
Let me tell you what an agent should do.
|
|
|
|
24:43
|
|
First, you have to become famous and make a lot of money for me.
|
|
|
|
24:47
|
|
Then I'll come to shoot your ass.
|
|
|
|
24:52
|
|
Do you hear me?
|
|
|
|
24:53
|
|
Sister Shan, I'm sorry.
|
|
|
|
24:54
|
|
We're leaving.
|
|
|
|
24:56
|
|
Wait.
|
|
|
|
24:57
|
|
I have a job to find you
|
|
|
|
25:00
|
|
who is a cartoonist.
|
|
|
|
25:03
|
|
What job?
|
|
|
|
25:04
|
|
Help me draw.
|
|
|
|
25:07
|
|
It's the one that Jack in Titanic
|
|
|
|
25:10
|
|
drew for Rose.
|
|
|
|
25:12
|
|
Look.
|
|
|
|
25:14
|
|
I've prepared the necklace.
|
|
|
|
25:16
|
|
Help me draw.
|
|
|
|
25:18
|
|
Just think about it.
|
|
|
|
25:22
|
|
I'll think about it when you find a director.
|
|
|
|
25:27
|
|
Okay.
|
|
|
|
25:28
|
|
Wanyun, I have to teach you how to be a phone editor.
|
|
|
|
25:37
|
|
Didn't you say I've done it well?
|
|
|
|
25:40
|
|
That's right.
|
|
|
|
25:41
|
|
You are very talented.
|
|
|
|
25:43
|
|
But there are some places that need improvement.
|
|
|
|
25:44
|
|
Listen. Phone editing is an art.
|
|
|
|
25:47
|
|
You can't answer all the calls.
|
|
|
|
25:48
|
|
You can't not answer all the calls.
|
|
|
|
25:50
|
|
You should ask the people who called later
|
|
|
|
25:52
|
|
what they want to say.
|
|
|
|
25:54
|
|
Then you can answer them after screening and processing.
|
|
|
|
25:57
|
|
How to process?
|
|
|
|
25:58
|
|
First, don't answer those anti-human topics.
|
|
|
|
26:02
|
|
What's anti-human?
|
|
|
|
26:03
|
|
You mean the terrorists?
|
|
|
|
26:04
|
|
You can help them solve emotional problems.
|
|
|
|
26:07
|
|
Just like the one who called last time.
|
|
|
|
26:09
|
|
There are more than ten people who appear.
|
|
|
|
26:10
|
|
And the names are almost the same.
|
|
|
|
26:11
|
|
This is a serious anti-human.
|
|
|
|
26:13
|
|
Only aliens can understand what he said.
|
|
|
|
26:16
|
|
Then there are the bad dramas.
|
|
|
|
26:18
|
|
You need to remember their real names and phone numbers.
|
|
|
|
26:20
|
|
Then they won't be stupid.
|
|
|
|
26:22
|
|
And those people who don't even know what they are talking about.
|
|
|
|
26:25
|
|
What do you mean?
|
|
|
|
26:26
|
|
Those people who called and got emotional.
|
|
|
|
26:30
|
|
You should let them say it first.
|
|
|
|
26:32
|
|
Then help them sort out their thoughts.
|
|
|
|
26:34
|
|
For example, what time is it?
|
|
|
|
26:36
|
|
What are the characters?
|
|
|
|
26:37
|
|
What is the core idea?
|
|
|
|
26:39
|
|
Then you can answer them.
|
|
|
|
26:40
|
|
Otherwise, not only I can't understand.
|
|
|
|
26:42
|
|
I can't understand other listeners either.
|
|
|
|
26:44
|
|
Ah, so there are so many ways to make phone calls.
|
|
|
|
26:48
|
|
Of course.
|
|
|
|
26:49
|
|
I graduated from college and started making phone calls.
|
|
|
|
26:52
|
|
When I first started, my experience was very similar to yours.
|
|
|
|
26:55
|
|
Actually, if I could distinguish which phone calls should be answered and which ones shouldn't be answered,
|
|
|
|
27:03
|
|
why would I still be a radio host?
|
|
|
|
27:06
|
|
Ah, stop it.
|
|
|
|
27:13
|
|
I'm so sad.
|
|
|
|
27:16
|
|
Stop it.
|
|
|
|
27:18
|
|
Stop it.
|
|
|
|
27:21
|
|
Coming.
|
|
|
|
27:24
|
|
Lü Ziqiao.
|
|
|
|
27:28
|
|
Oh, sorry, I was wrong.
|
|
|
|
27:31
|
|
That's right, he lives here. Please come in.
|
|
|
|
27:33
|
|
You are...
|
|
|
|
27:35
|
|
His agent.
|
|
|
|
27:38
|
|
Who are you?
|
|
|
|
27:39
|
|
Lü Ziqiao has a daughter?
|
|
|
|
27:41
|
|
Actually, I'm his roommate.
|
|
|
|
27:42
|
|
I'm glad you called me so young.
|
|
|
|
27:44
|
|
But can Ziqiao call me such a beautiful daughter?
|
|
|
|
27:46
|
|
I'm just kidding.
|
|
|
|
27:47
|
|
Actually, you look like Ziqiao's aunt.
|
|
|
|
27:51
|
|
You definitely didn't understand my humor.
|
|
|
|
27:53
|
|
Lü Ziqiao, your agent is here.
|
|
|
|
27:55
|
|
Sister Shan, why are you here?
|
|
|
|
27:57
|
|
Please sit. Please sit.
|
|
|
|
27:58
|
|
Your place is almost the same as I imagined.
|
|
|
|
28:01
|
|
You have good dancing skills.
|
|
|
|
28:04
|
|
You have to pay attention to your living environment.
|
|
|
|
28:07
|
|
Only in a good environment can you find your artistic system.
|
|
|
|
28:10
|
|
Oh, I forgot.
|
|
|
|
28:12
|
|
You don't have money to buy a villa.
|
|
|
|
28:15
|
|
I will work hard.
|
|
|
|
28:16
|
|
How's the advertisement for the wedding dress?
|
|
|
|
28:18
|
|
I've memorized the lines.
|
|
|
|
28:20
|
|
That's right. Three lines in total.
|
|
|
|
28:21
|
|
And they are all like life and death.
|
|
|
|
28:23
|
|
Look at the new advertisement Sister Shan prepared for you.
|
|
|
|
28:26
|
|
Really?
|
|
|
|
28:27
|
|
"Leg hair is like a hair-cutting machine."
|
|
|
|
28:29
|
|
But I don't have much leg hair.
|
|
|
|
28:31
|
|
So I want you to have a thick leg hair.
|
|
|
|
28:35
|
|
You are lucky.
|
|
|
|
28:37
|
|
You have so many advertisements.
|
|
|
|
28:39
|
|
In the next three months, I will book you
|
|
|
|
28:41
|
|
a pair of shoes, a pair of men's socks, and a pair of sunglasses.
|
|
|
|
28:44
|
|
Why are they all half-dressed?
|
|
|
|
28:46
|
|
Don't be afraid.
|
|
|
|
28:47
|
|
You have to start with the money.
|
|
|
|
28:49
|
|
You don't understand the operating rules of an agent.
|
|
|
|
28:52
|
|
You signed for me.
|
|
|
|
28:54
|
|
I will sign the contract for you.
|
|
|
|
28:55
|
|
I will raise 50% of the contract.
|
|
|
|
28:59
|
|
Then tell me how much is 50% of zero?
|
|
|
|
29:04
|
|
Do you remember the second, fourth, and third?
|
|
|
|
29:06
|
|
You idiots, I will kill you.
|
|
|
|
29:08
|
|
I tell you, if you make a mess,
|
|
|
|
29:11
|
|
I will sell you to the Philippines.
|
|
|
|
29:12
|
|
I will treat you seriously.
|
|
|
|
29:15
|
|
That's more like it.
|
|
|
|
29:17
|
|
After you buy three ads,
|
|
|
|
29:18
|
|
I can send you to the crew.
|
|
|
|
29:21
|
|
Oh, right.
|
|
|
|
29:23
|
|
This is the deposit for the advertisement.
|
|
|
|
29:25
|
|
Wow.
|
|
|
|
29:28
|
|
It's so beautiful.
|
|
|
|
29:29
|
|
It's so shiny.
|
|
|
|
29:31
|
|
I've never seen you before.
|
|
|
|
29:33
|
|
Sister Shan, look at me.
|
|
|
|
29:35
|
|
I don't have much hair on my legs.
|
|
|
|
29:37
|
|
You look pretty.
|
|
|
|
29:40
|
|
You look so good.
|
|
|
|
29:43
|
|
I will introduce you a professional fashion agency.
|
|
|
|
29:46
|
|
Many Korean stars work there.
|
|
|
|
29:47
|
|
Jin Xishan, He Lixiu, and Chetai Men.
|
|
|
|
29:50
|
|
They are all there.
|
|
|
|
29:51
|
|
You can pay 50% of my name.
|
|
|
|
29:53
|
|
I will come to you when I'm done.
|
|
|
|
29:54
|
|
Really? Thank you.
|
|
|
|
29:56
|
|
You're welcome.
|
|
|
|
29:59
|
|
I opened this fashion agency.
|
|
|
|
30:02
|
|
I haven't lost my hand in dealing with this kind of girl.
|
|
|
|
30:05
|
|
Sister Shan, you've worked so hard.
|
|
|
|
30:08
|
|
If you need anything in the future, just call me.
|
|
|
|
30:11
|
|
You don't have to run away for me.
|
|
|
|
30:12
|
|
Of course not.
|
|
|
|
30:15
|
|
I'm here to find that little painter.
|
|
|
|
30:18
|
|
Little painter.
|
|
|
|
30:19
|
|
Guan Gu.
|
|
|
|
30:21
|
|
What's wrong with you?
|
|
|
|
30:25
|
|
He's talking to her.
|
|
|
|
30:27
|
|
Did he ask you to draw him?
|
|
|
|
30:29
|
|
No. I just drew him out of memory.
|
|
|
|
30:31
|
|
Little painter.
|
|
|
|
30:32
|
|
The woman you drew me last time was so pretty.
|
|
|
|
30:37
|
|
I have a sister who wants you to draw her.
|
|
|
|
30:40
|
|
Can you do that?
|
|
|
|
30:42
|
|
I like to tease him.
|
|
|
|
30:48
|
|
Pay the rent.
|
|
|
|
30:54
|
|
Yu Fei, I'm here to ask you to show some mercy.
|
|
|
|
30:57
|
|
I finally got an advertisement.
|
|
|
|
30:59
|
|
Don't mess with me, okay?
|
|
|
|
31:01
|
|
Pay the rent last month.
|
|
|
|
31:02
|
|
I'll talk to you.
|
|
|
|
31:03
|
|
Deal.
|
|
|
|
31:05
|
|
Is this Sister Shan?
|
|
|
|
31:06
|
|
Ziqiao often mentions you.
|
|
|
|
31:08
|
|
Who is she?
|
|
|
|
31:09
|
|
Your mother or your stepmother?
|
|
|
|
31:12
|
|
You have a good figure.
|
|
|
|
31:14
|
|
But your style betrays your real age.
|
|
|
|
31:18
|
|
I'm her friend.
|
|
|
|
31:22
|
|
Ziqiao has worked hard.
|
|
|
|
31:23
|
|
To shoot this advertisement,
|
|
|
|
31:25
|
|
his girlfriend recites lines for him every day.
|
|
|
|
31:27
|
|
I even heard it next door.
|
|
|
|
31:29
|
|
Wait.
|
|
|
|
31:30
|
|
What did you say?
|
|
|
|
31:32
|
|
I said don't talk nonsense.
|
|
|
|
31:35
|
|
What did I say?
|
|
|
|
31:36
|
|
Yes. What did she say?
|
|
|
|
31:38
|
|
Your girlfriend.
|
|
|
|
31:40
|
|
You have a girlfriend.
|
|
|
|
31:42
|
|
Why didn't you say it earlier?
|
|
|
|
31:44
|
|
Sister Shan, don't go.
|
|
|
|
31:46
|
|
Have you seen the contract?
|
|
|
|
31:48
|
|
Our company's artists can't date casually.
|
|
|
|
31:51
|
|
You have a girlfriend now.
|
|
|
|
31:52
|
|
How can you coax her?
|
|
|
|
31:54
|
|
How can I arrange the gossip?
|
|
|
|
31:55
|
|
How can you hear the report without the gossip?
|
|
|
|
31:57
|
|
You can't coax her without the report.
|
|
|
|
31:59
|
|
Sister Shan, I can be a power-play.
|
|
|
|
32:02
|
|
I forgot.
|
|
|
|
32:04
|
|
I have another suggestion.
|
|
|
|
32:05
|
|
Why don't you be a pineapple-play?
|
|
|
|
32:07
|
|
It's better to be a banana-play.
|
|
|
|
32:08
|
|
Do you want to try?
|
|
|
|
32:11
|
|
Sister Shan.
|
|
|
|
32:15
|
|
She left.
|
|
|
|
32:17
|
|
Little Huajiao.
|
|
|
|
32:22
|
|
Think about what I said just now.
|
|
|
|
32:25
|
|
Don't hide. I saw you.
|
|
|
|
32:28
|
|
Everyone,
|
|
|
|
32:36
|
|
we are at the "Light of the Moon"
|
|
|
|
32:38
|
|
audience meeting room.
|
|
|
|
32:39
|
|
After a beautiful music,
|
|
|
|
32:41
|
|
we will enter the first audience meeting room.
|
|
|
|
32:45
|
|
Wan Yi, are you ready?
|
|
|
|
32:49
|
|
Are you sure you have been through it?
|
|
|
|
32:51
|
|
Okay, come in.
|
|
|
|
32:54
|
|
Hello, audience.
|
|
|
|
32:55
|
|
Can you hear me?
|
|
|
|
32:57
|
|
Why did you suddenly become a man?
|
|
|
|
33:01
|
|
What's your problem?
|
|
|
|
33:02
|
|
Problem?
|
|
|
|
33:04
|
|
My girlfriend texted me.
|
|
|
|
33:06
|
|
She said she wanted to break up with me.
|
|
|
|
33:08
|
|
Break up with her by texting?
|
|
|
|
33:11
|
|
It's nothing.
|
|
|
|
33:12
|
|
After I received the text
|
|
|
|
33:13
|
|
she asked me to break up with,
|
|
|
|
33:15
|
|
I didn't feel sad.
|
|
|
|
33:17
|
|
She said she was sorry and made a mistake.
|
|
|
|
33:23
|
|
It seems that your girlfriend
|
|
|
|
33:24
|
|
has someone else.
|
|
|
|
33:25
|
|
I suggest you
|
|
|
|
33:25
|
|
to break up with her.
|
|
|
|
33:28
|
|
What are you talking about?
|
|
|
|
33:29
|
|
Who has a girlfriend like you?
|
|
|
|
33:31
|
|
That lady just now
|
|
|
|
33:32
|
|
didn't say that.
|
|
|
|
33:34
|
|
She said it might be a prank.
|
|
|
|
33:36
|
|
Let me confirm first before making a decision.
|
|
|
|
33:38
|
|
Five minutes ago, I received a text
|
|
|
|
33:39
|
|
that my classmate
|
|
|
|
33:40
|
|
was joking with my girlfriend's phone.
|
|
|
|
33:43
|
|
Fortunately, your lady reminded me.
|
|
|
|
33:44
|
|
Otherwise, I really can't think of anything.
|
|
|
|
33:46
|
|
Then why did you
|
|
|
|
33:48
|
|
ask for help?
|
|
|
|
33:49
|
|
I didn't say I had a problem.
|
|
|
|
33:50
|
|
I just called to thank her.
|
|
|
|
33:52
|
|
Why did you suddenly become a man?
|
|
|
|
33:54
|
|
Who are you?
|
|
|
|
33:56
|
|
Sorry.
|
|
|
|
33:57
|
|
I'll help you to transfer the audience.
|
|
|
|
33:59
|
|
Sorry.
|
|
|
|
34:00
|
|
The audience was really interesting.
|
|
|
|
34:05
|
|
From this, we can see
|
|
|
|
34:07
|
|
that we shouldn't be too reckless.
|
|
|
|
34:08
|
|
We should ask everything clearly before doing it.
|
|
|
|
34:11
|
|
Let's listen to the story of the next audience.
|
|
|
|
34:15
|
|
Hello, this audience.
|
|
|
|
34:16
|
|
I'm the host, Zeng Xiaoxian.
|
|
|
|
34:19
|
|
Can you hear me?
|
|
|
|
34:20
|
|
I can hear you.
|
|
|
|
34:26
|
|
This audience, please speak faster.
|
|
|
|
34:29
|
|
I want to do that too.
|
|
|
|
34:32
|
|
But when I heard a strange voice,
|
|
|
|
34:33
|
|
I was nervous.
|
|
|
|
34:38
|
|
Do you have any questions to ask?
|
|
|
|
34:40
|
|
I was talking to the receptionist
|
|
|
|
34:43
|
|
and she was pretty good.
|
|
|
|
34:46
|
|
I wasn't nervous at all.
|
|
|
|
34:48
|
|
Now I'm nervous again.
|
|
|
|
34:52
|
|
Can you help me
|
|
|
|
34:54
|
|
take her back?
|
|
|
|
34:59
|
|
Okay.
|
|
|
|
35:04
|
|
Zhu Di, where are you?
|
|
|
|
35:07
|
|
If you don't come back,
|
|
|
|
35:09
|
|
I'll be fired.
|
|
|
|
35:21
|
|
How's your work, Man Yu?
|
|
|
|
35:23
|
|
Very good. I'm very happy.
|
|
|
|
35:25
|
|
Ask your father
|
|
|
|
35:25
|
|
if he wants to buy the radio station.
|
|
|
|
35:27
|
|
I'd rather do the standard.
|
|
|
|
35:30
|
|
Isn't this Sister Shan?
|
|
|
|
35:32
|
|
Why are you here?
|
|
|
|
35:33
|
|
I'm here to find Guanggu.
|
|
|
|
35:35
|
|
She went to the hospital.
|
|
|
|
35:36
|
|
Her needle is also getting worse.
|
|
|
|
35:38
|
|
Please give these to her.
|
|
|
|
35:40
|
|
It's a souvenir. She saw it.
|
|
|
|
35:42
|
|
Sister Shan, why are you here?
|
|
|
|
35:44
|
|
Sit down.
|
|
|
|
35:46
|
|
I heard there's a new
|
|
|
|
35:49
|
|
water tap here.
|
|
|
|
35:50
|
|
You want to try it with me?
|
|
|
|
35:51
|
|
Me.
|
|
|
|
35:54
|
|
Sister Shan, please sit down.
|
|
|
|
35:57
|
|
You don't have to please me, kid.
|
|
|
|
35:59
|
|
Your good days are over.
|
|
|
|
36:01
|
|
I've already told the lawyer
|
|
|
|
36:02
|
|
to cancel your contract.
|
|
|
|
36:03
|
|
No, Sister Shan. Listen to me.
|
|
|
|
36:04
|
|
What do you want to say?
|
|
|
|
36:06
|
|
I don't care if you're a donkey,
|
|
|
|
36:08
|
|
a fool or a fool.
|
|
|
|
36:10
|
|
There are only two types of people in my eyes.
|
|
|
|
36:12
|
|
One is good at coaxing,
|
|
|
|
36:13
|
|
and the other is never good at coaxing.
|
|
|
|
36:15
|
|
Which group are you in?
|
|
|
|
36:17
|
|
I...
|
|
|
|
36:18
|
|
You're not in that group
|
|
|
|
36:19
|
|
because you've never been in my eyes.
|
|
|
|
36:22
|
|
I know.
|
|
|
|
36:23
|
|
Of course you know.
|
|
|
|
36:25
|
|
Because of the water tap ad,
|
|
|
|
36:26
|
|
I've arranged it for Mu Cun to get rid of the disaster.
|
|
|
|
36:28
|
|
Sister Shan, let's discuss this.
|
|
|
|
36:30
|
|
Actually, I've thought about it.
|
|
|
|
36:31
|
|
My girlfriend is...
|
|
|
|
36:32
|
|
Stop talking.
|
|
|
|
36:33
|
|
I can give you more time to think about it.
|
|
|
|
36:36
|
|
Is it enough for a lifetime?
|
|
|
|
36:39
|
|
Go and get the official.
|
|
|
|
36:40
|
|
Silly fish, you're more promising than the monster.
|
|
|
|
36:44
|
|
What are you doing?
|
|
|
|
36:50
|
|
Stop it.
|
|
|
|
36:51
|
|
It's not a paper roll.
|
|
|
|
36:52
|
|
If you keep talking, it'll break.
|
|
|
|
36:53
|
|
Stop talking nonsense. It won't break.
|
|
|
|
36:55
|
|
If there's anything wrong today,
|
|
|
|
36:56
|
|
my future will be like a paper roll.
|
|
|
|
36:58
|
|
It'll be broken.
|
|
|
|
36:59
|
|
Remember, do as planned.
|
|
|
|
37:01
|
|
Wait.
|
|
|
|
37:02
|
|
You can't go back on your promise.
|
|
|
|
37:03
|
|
Two years.
|
|
|
|
37:04
|
|
Two years' rent.
|
|
|
|
37:05
|
|
Three years.
|
|
|
|
37:06
|
|
One day is not enough.
|
|
|
|
37:07
|
|
Three years is too much.
|
|
|
|
37:09
|
|
I'll tell him that I'm pregnant.
|
|
|
|
37:12
|
|
You...
|
|
|
|
37:13
|
|
Two and a half years.
|
|
|
|
37:15
|
|
You're still a twin.
|
|
|
|
37:16
|
|
Two years and eight months.
|
|
|
|
37:18
|
|
I'm a twin. I'm growing fast.
|
|
|
|
37:19
|
|
Three years is enough.
|
|
|
|
37:20
|
|
You're so good at talking nonsense.
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37:21
|
|
I learned it from you.
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37:22
|
|
Remember,
|
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37:23
|
|
we're doing our job.
|
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37:25
|
|
Should we warm up first?
|
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37:27
|
|
Isn't it too sudden?
|
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37:29
|
|
Warm up?
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|
37:30
|
|
Didn't you see that others are leaving?
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|
37:31
|
|
You're still warming up after leaving this door.
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37:33
|
|
Remember, I told you.
|
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37:34
|
|
We're professional actors.
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37:36
|
|
We don't rehearse when we eat together.
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37:38
|
|
We're live-streaming every day.
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37:39
|
|
Stop.
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37:50
|
|
It's over.
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37:51
|
|
I heard that there's a new red phone here.
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37:57
|
|
Do you have anything to try with me?
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38:00
|
|
I'm not going.
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38:01
|
|
None of you are allowed to leave.
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38:03
|
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I want you to hear this nonsense
|
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38:04
|
|
and tell me the truth.
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38:06
|
|
Damn.
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38:07
|
|
It's already started.
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38:09
|
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This is too much of a straight-forward topic.
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38:10
|
|
Look at your face.
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38:12
|
|
I have no signal on my phone when I'm with you.
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38:14
|
|
I can't even see the sun when I walk on the horse.
|
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38:16
|
|
Have you lost your mind?
|
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|
38:19
|
|
You're a dinosaur who leaves me three times a day.
|
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38:21
|
|
I'll spray you with water every night.
|
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38:23
|
|
Do you know what I hate?
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|
38:24
|
|
You don't shower after you get on the horse.
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38:26
|
|
You didn't shower just now.
|
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|
38:27
|
|
It's disgusting when I look at you.
|
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|
38:29
|
|
Isn't there a men's and women's bathroom in the coffee shop?
|
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|
38:33
|
|
How can there be a man who is as shameless as you?
|
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|
38:36
|
|
I got a bunch of blood and sweat.
|
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|
38:37
|
|
I'm going to hit you.
|
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|
38:39
|
|
Can you stop being so reckless?
|
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|
38:42
|
|
I'm being reckless.
|
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|
38:43
|
|
You did well just now.
|
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|
38:45
|
|
I'm not big enough.
|
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38:48
|
|
I can still make a difference when I cry.
|
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|
38:50
|
|
You're not even good at acting.
|
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|
38:52
|
|
You're still lacking in some killing spirit.
|
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|
38:53
|
|
Don't you dare cry.
|
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|
38:56
|
|
Yu Ziqiang.
|
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|
38:59
|
|
You're the most trash, the worst,
|
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|
39:01
|
|
and the most shameless man I've ever seen.
|
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|
39:02
|
|
When I see you,
|
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|
|
39:03
|
|
my family's genes will definitely be distorted.
|
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|
39:05
|
|
And I'll become more and more rotten.
|
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|
|
39:06
|
|
Chen Meijia.
|
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|
|
39:08
|
|
You're the most flat-chested woman I've ever seen in the world.
|
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|
|
39:11
|
|
I finally understand why my mom wants me to study hard.
|
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|
39:13
|
|
I'm afraid that I'll meet someone like you.
|
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|
|
39:14
|
|
Your mom's wish has been fulfilled.
|
|
|
|
39:16
|
|
Your mom's wish has been fulfilled?
|
|
|
|
39:20
|
|
Who are you scolding?
|
|
|
|
39:21
|
|
I'm really going to hit you.
|
|
|
|
39:22
|
|
Are you crazy?
|
|
|
|
39:24
|
|
Why are they fighting?
|
|
|
|
39:25
|
|
Where are they fighting?
|
|
|
|
39:27
|
|
I don't know either.
|
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|
|
39:28
|
|
I said, these two are rich.
|
|
|
|
39:31
|
|
Let's see what professional taste is.
|
|
|
|
39:32
|
|
Wrong, three, fight.
|
|
|
|
39:35
|
|
Yu Ziqiang.
|
|
|
|
39:38
|
|
I was the one who raised you when you were poor.
|
|
|
|
39:41
|
|
Why didn't you say I was poor when you were poor?
|
|
|
|
39:43
|
|
You're ungrateful.
|
|
|
|
39:45
|
|
I'm ungrateful?
|
|
|
|
39:46
|
|
At least let the past go.
|
|
|
|
39:48
|
|
What are you doing?
|
|
|
|
39:49
|
|
It's none of your business. I'm not happy.
|
|
|
|
39:51
|
|
It's almost done.
|
|
|
|
39:52
|
|
As long as you let me get rid of you, it's okay.
|
|
|
|
39:54
|
|
Why?
|
|
|
|
39:55
|
|
You've already gotten rid of me once.
|
|
|
|
39:58
|
|
You still want to get rid of me again?
|
|
|
|
40:00
|
|
Let me tell you.
|
|
|
|
40:01
|
|
I've been with you for a long time.
|
|
|
|
40:03
|
|
You're good at bullying people.
|
|
|
|
40:05
|
|
Listen to me.
|
|
|
|
40:06
|
|
I, Chen Meijia, will break up with you.
|
|
|
|
40:08
|
|
Then break up.
|
|
|
|
40:09
|
|
Let me tell you, Chen Meijia.
|
|
|
|
40:11
|
|
You're just two kilometers away from me.
|
|
|
|
40:12
|
|
I'll go back to Yisi Island.
|
|
|
|
40:13
|
|
Even if I'm a hooligan,
|
|
|
|
40:14
|
|
I'll tell you.
|
|
|
|
40:15
|
|
I dumped you.
|
|
|
|
40:17
|
|
I'll kill you with my own hands.
|
|
|
|
40:19
|
|
I dumped you.
|
|
|
|
40:21
|
|
I dumped you.
|
|
|
|
40:22
|
|
I dumped you.
|
|
|
|
40:23
|
|
Yu Ziqiang, you can't do this.
|
|
|
|
40:28
|
|
You two, go play.
|
|
|
|
40:29
|
|
I'll tell you how to play.
|
|
|
|
40:30
|
|
They're really together.
|
|
|
|
40:32
|
|
The moon in the Western Liang,
|
|
|
|
40:33
|
|
the despair in the North Bay,
|
|
|
|
40:35
|
|
even the pearls are not so real.
|
|
|
|
40:37
|
|
What are you looking at?
|
|
|
|
40:39
|
|
Let's go.
|
|
|
|
40:40
|
|
I've never seen a relationship break up.
|
|
|
|
40:42
|
|
They broke up.
|
|
|
|
40:45
|
|
They broke up.
|
|
|
|
40:46
|
|
They broke up.
|
|
|
|
40:50
|
|
Guanyin, Guanyin, you're here.
|
|
|
|
41:07
|
|
The doctor helped me to cut the knife.
|
|
|
|
41:09
|
|
Did you see Meijia and Ziqiao?
|
|
|
|
41:11
|
|
No.
|
|
|
|
41:12
|
|
I haven't seen them for days.
|
|
|
|
41:13
|
|
They're a good couple.
|
|
|
|
41:16
|
|
Where are you going, Guanyin?
|
|
|
|
41:26
|
|
Teacher Zeng, I don't want to lie to you.
|
|
|
|
41:30
|
|
Actually, I'm going to
|
|
|
|
41:32
|
|
attend the activities of the pickles club.
|
|
|
|
41:33
|
|
Pickles club?
|
|
|
|
41:34
|
|
Isn't that my fan club?
|
|
|
|
41:36
|
|
Why don't I know about my fan club?
|
|
|
|
41:39
|
|
They didn't let me tell you.
|
|
|
|
41:43
|
|
Teacher Zeng, please forgive me.
|
|
|
|
41:45
|
|
Pickles fan club
|
|
|
|
41:46
|
|
is going to be Yu Wan fan club.
|
|
|
|
41:48
|
|
Li Wanyu, you're fired.
|
|
|
|
41:52
|
|
Sister, look at this news.
|
|
|
|
41:55
|
|
Hong Tongtong's acting company
|
|
|
|
41:57
|
|
has not been sealed
|
|
|
|
41:58
|
|
according to the state's
|
|
|
|
41:59
|
|
regulations to handle business procedures.
|
|
|
|
42:01
|
|
All acting and economic behaviors
|
|
|
|
42:04
|
|
of the company's manager, Flash Man,
|
|
|
|
42:06
|
|
are considered invalid.
|
|
|
|
42:08
|
|
Do you have a photo?
|
|
|
|
42:09
|
|
The relevant departments
|
|
|
|
42:10
|
|
haven't found the photo of Flash Man yet.
|
|
|
|
42:12
|
|
I told you, it must be a fake company.
|
|
|
|
42:15
|
|
By the way, Guanyin,
|
|
|
|
42:16
|
|
I almost forgot
|
|
|
|
42:17
|
|
that I gave you this
|
|
|
|
42:18
|
|
when I was with Sister Flash.
|
|
|
|
42:19
|
|
What? This?
|
|
|
|
42:21
|
|
Don't show me this.
|
|
|
|
42:23
|
|
My eyes!
|
|
|
|
42:27
|
|
My eyes!
|
|
|
|
42:30
|
|
My eyes!
|
|
|
|
42:33
|
|
My eyes!
|
|
|
|
42:35
|
|
My eyes!
|
|
|
|
42:37
|
|
My eyes!
|
|
|
|
42:39
|
|
My eyes!
|
|
|
|
42:40
|
|
My eyes!
|
|
|
|
42:43
|
|
My eyes!
|
|
|
|
42:45
|
|
My eyes!
|
|
|
|
42:47
|
|
My eyes!
|
|
|
|
42:49
|
|
My eyes!
|
|
|
|
42:52
|
|
My eyes!
|
|
|
|
42:55
|
|
My eyes!
|
|
|
|
42:57
|
|
I'll go to the toilet.
|
|
|
|
42:58
|
|
I'll go to the toilet.
|
|
|
|
43:01
|
|
I'll go to the toilet.
|
|
|
|
43:03
|
|
I'll go to the toilet.
|
|
|
|
43:04
|
|
I'll go to the toilet.
|
|
|
|
43:06
|
|
I'll go to the toilet.
|
|
|
|
43:08
|
|
I'll go to the toilet.
|
|
|
|
43:10
|
|
I'll go to the toilet.
|
|
|
|
43:12
|
|
I'll go to the toilet.
|
|
|
|
43:14
|
|
I'll go to the toilet.
|
|
|
|
43:16
|
|
I'll go to the toilet.
|
|
|
|
43:18
|
|
I'll go to the toilet.
|
|
|
|
43:19
|
|
I'll go to the toilet.
|
|
|
|
43:22
|
|
I'll go to the toilet.
|
|
|
|
43:24
|
|
I'll go to the toilet.
|
|
|
|
43:26
|
|
I'll go to the toilet.
|
|
|
|
43:29
|
|
I'll go to the toilet.
|
|
|
|
43:31
|
|
I'll go to the toilet.
|
|
|
|
43:34
|
|
I'll go to the toilet.
|
|
|
|
43:36
|
|
I'll go to the toilet.
|
|
|
|
43:38
|
|
I'll go to the toilet.
|
|
|
|
43:40
|
|
I'll go to the toilet.
|
|
|
|
43:42
|
|
I'll go to the toilet.
|
|
|
|
43:45
|
|
I'll go to the toilet.
|
|
|
|
43:47
|
|
I'll go to the toilet.
|
|
|
|
43:49
|
|
I'll go to the toilet.
|
|
|
|
43:52
|
|
I'll go to the toilet.
|
|
|
|
43:54
|
|
I'll go to the toilet.
|
|
|
|
43:57
|
|
I'll go to the toilet.
|
|
|
|
43:59
|
|
I'll go to the toilet.
|
|
|
|
44:01
|
|
I'll go to the toilet.
|
|
|
|
44:04
|
|
I'll go to the toilet.
|
|
|
|
44:06
|
|
I'll go to the toilet.
|
|
|
|
44:09
|
|
I'll go to the toilet.
|
|
|
|
44:11
|
|
I'll go to the toilet.
|
|
|
|
44:13
|
|
I'll go to the toilet.
|
|
|
|
44:16
|
|
I'll go to the toilet.
|
|
|
|
44:17
|
|
♪ I want to be with you ♪
|
|
|